Thanks to all those who have already pledged through Kickstarter.

Eve Celsi
Steve Hohenboken
Morgan Miller
Amy K Schoppert
MK Bretsch
Katie Burnett
Harold Metzger
Cherie Blackfeather
Carrie Padian
Marie Lee
Terry Perrel
Anya Lewin
Julie Greicius
Sari Botton
Moss Drake
Elissa Wald
Lawrence Johnson
Andy Brown
George Johnson
Enie Vaisburd
Rosalee Rester
Ellen Vincent

May 11, 2010 Portland City Police Commissioner Dan Saltzman, along with City Attorneys Jim Rice and Linda Meng, announced a tentative settlement to the civil suit Chasse v City of Portland for $1.6 million dollars.

The next day Portland Mayor Sam Adams fired police chief Rosie Sizer, and moved the police bureau to his portfolio, leaving Saltzman – the city council’s elder statesman – with the council’s smallest workload.

As of today, June 25, no actual settlement has been made with the Chasse family. But for a variety of reasons we expect a settlement soon.

Once civil concerns are set aside were hoping a set of interested persons will be willing speak on camera and explain their involvement with what happened to James Chasse.

QUINN: “This video recorder cost $150,000.” BOO-YA!

“I’ve just got to post a Quicktime for NBC to look at, real quick,” said Quinn, when we dropped in this afternoon to take a look at the facilities. At his desk, three monitors stood next to a huge plasma screen TV, as a commercial for an electronics manufacturer played away. Quinn pushed a few buttons, called a colleague, and told him, “that file is on your desktop.” You get the sense he’s a man comfortable with complex technology:

CABLES:“These are all connected to something…”

Quinn started in television while at high school in Idaho. He got a job as a cameraman aged 15 at KALEW TV, after showing up and pretty much refusing to go away. For three years he was a photographer on the TV show Fishing The West, “and I was in my early twenties,” he laughs, “going and fishing the best fishing spots in the country with some of the best guides, but all I wanted at the time was to be in the city with my buddies.”

After 31 years in the business he now edits commercials for clients such as Nike, Nutrisystem, Coca Cola, EA Sports, Seadoo, as well as offering some of his many edit suites out to independent film makers. In the 1980s, Quinn worked with director Jim Blashfield on famous videos for the likes of Peter Gabriel & Kate Bush (Don’t Give Up), Paul Simon (Boy In The Bubble), and even Tears for Fears (Sowing The Seeds Of Love)—which won the MTV award for Breakthrough Video.

Hearing the list of Quinn’s clients was already pretty intimidating. But when he told us about those music videos, we were pretty taken aback. That Sowing The Seeds Of Love video, for example, is world famous.

Quinn shot the first ever music video, he thinks, for Portland punk band Poison Idea, back in the early 1980s, using a Portapak on loan from Jefferson High School. “It was a magnet school for culture students back then,” he says, of the ailing high school in North Portland, that is still famous for athletics, less so for having “the biggest TV studio in the city, including TV stations,” as it was back then.

EYE FOR DETAIL: Quinn Reviews A Commercial With Editor Matt Demarest

Anne Galisky, the director of Papers, a documentary about undocumented schoolchildren, was in one of Quinn’s edit suites this afternoon, working on color correction with Mission Control colorist Slater Dixon. “I love this place,” said Galisky. “They’ve been wonderful. We had a sold-out screening the other day, and people thought the film was shot on 35mm film, and that was the impact that this place had.”

“We’re about perfection,” says Quinn. “We try not to let anything out of the door that leaves any doubt for the audience about what they are watching.”

Mission Control will do color correction on ALIEN BOY, and add some graphics. “All motion pictures get color graded,” says Quinn. “We want to give the film a polished look.”

“Sometimes people are given power who aren’t necessarily ready for it,” says Quinn, when asked what attracted him to donate to the film. “This is an important project—knowing what happened to James Chasse, sometimes there are people who need to step up and pay for what they’ve done.”

Everything about Mission Control feels slick. From the multiple monitors to the incredible screening room (with Hollywood lights), to the well-stocked fridge in the kitchen. ALIEN BOY has hit the big time.

April 29 in SW Portland
May 7 in NE Portland
May 26 in NE Portland
June TBA in SE Portland

All fundraisers begin at 6 PM. Pick your date and send an email to Eva to RSVP for the party you plan to attend.

ALIEN BOY is a documentary film about the life and death of James Chasse.

At the house party you’ll meet ALIEN BOY filmmaker Brian Lindstrom and hear an update about the progress of the film. It’s all good news – the pieces are coming together! We’ll also show a new trailer for ALIEN BOY .

You need to RSVP to come to the party – so email Eva today.

Visit our ALIEN BOY web site and make a donation to help finish this community-based film project.

Bad Apple Reputation – New Lawsuit Threatened Against Chasse Cop

The Portland Police Bureau officer involved in the death of James Chasse Jr. is facing the threat of another lawsuit—this time relating to his use of force against a woman claiming to suffer from mental health issues.

Chasse, a 42-year-old man with schizophrenia, died in police custody in 2006. It is now hotly rumored that Officer Christopher Humphreys’ alleged assault of Lisa Ann Coppock occurred just a few days after he completed Crisis Intervention Training (CIT), the police bureau’s education in how to diffuse confrontations with people in mental health crisis (the exact date of Humphreys’ training is not known). The training was expanded to include all the bureau’s officers in November 2006, in direct response to controversy created by the Chasse incident.

Attorney J. Ashlee Albies filed a tort claim with the city on October 21, 2008, giving notice of Coppock’s intention to sue.

“The circumstances that gave rise to Ms. Coppock’s claims arose on or about April 22, 2008, when Portland Police Officers Christopher Humphreys and Rod Nusum assaulted, falsely arrested, and discriminated against Ms. Coppock at the Gresham City Hall transit stop,” alleged Albies in the claim letter, a copy of which was obtained from the city’s Office of Risk Management through a public records request.

Albies works for Steenson, Schuman, Tewksbury, Creighton, and Rose, the same law firm handling the Chasse case ["The Chasse Files," Feature, November 15, 2007], but has declined further comment on the tort claim for the time being.

Further details of the incident are unclear, since it is against police bureau policy to release use-of-force documentation to the media while a case is pending criminal trial, or to comment on cases where litigation is pending. But Coppock was charged with theft of services in the amount of $50, resisting arrest, and interfering with a police officer, and is scheduled to stand trial for her alleged offenses at Multnomah County Circuit Court on February 23.

Coppock’s criminal defense attorney, Maite Uranga with Metropolitan Public Defender Services, has also declined comment on the case, but issued a subpoena to Officer Humphreys on January 6 requiring him to appear at the trial next month, according to records on the Oregon Judicial Information Network. She also filed Coppock’s notice of intent to rely on a defense of mental disease or defect, diminished responsibility, or extreme emotional disturbance on January 7.

Police Chief Rosie Sizer has yet to make a recommendation on discipline for Humphreys related to an internal affairs investigation into Chasse’s death, the outcome of which is still unclear.

Humphreys, who has been protected by the city attorney’s office from having to comment publicly on the Chasse lawsuit, will now be required to testify in court at Coppock’s trial about his use of force against a person claiming to suffer from mental health issues. Coppock declined comment through her attorneys.

Meanwhile, Portland Police Association President Scott Westerman has been an outspoken defender of Humphreys since he took office last November, when he told the Mercury, “There’s nothing in the Chasse incident that CIT training would have helped.”

Regarding the Coppock case, Westerman says, “I don’t want anybody to assume that Officer Humphreys is automatically guilty of anything, and the fact that he is named in the suit, to me, is not surprising.” He continues, “The fact is, his name has been dragged through the media for three years on a case that should have been resolved two years ago. I strongly disagree that he is developing a bad apple reputation. He is one of the hardest working cops that the Portland Police Bureau has, and just because somebody has a tort claim filed against them does not assume that the officer has done something wrong.

“Perhaps this woman or her attorney saw the arresting officer’s name and decided to try to capitalize on it,” Westerman continues. “Down the road, I am confident he is going to get honorably cleared.”

Westerman says he has also heard from police bureau sources that the Use of Force Review Board has recommended no discipline for Humphreys regarding the Chasse case, although that information has yet to be released by the city, which Westerman describes as “frustrating.”

“We don’t know a lot about the incident yet, but it certainly seems like Officer Humphreys has had his share of lawsuits filed against him,” says [Portland] Copwatch activist Dan Handelman. “Hopefully since the bureau is now tracking lawsuits against its officers through its employee information system, this will now lead to some corrective action.”

Oregonians should take advantage of a unique opportunity to help finance production of a commercial-quality documentary film on a fascinating subject: the Oregon State Hospital in Salem.

And, yes, fascinating is the right word. In a state known far and wide as a bastion of progressive values, the 126-year-old institution is a grotesque anomaly. Its original structure, built in 1883 as the Oregon Asylum for the Insane, is still there, and part of it is still in use. No new buildings have been erected on the hospital campus in more than a half a century.

The place is an overcrowded, inhumane dump — an environment so awful that Hollywood producers chose it as the setting for the movie classic “One Flew Over the Cuckoo’s Nest.” That was more than three decades ago. It’s even worse today.

In 2005, The Oregonian called it “a 19th century fright house” in an editorial series that called on lawmakers to replace it. Now the state is indeed about to begin tearing portions of it down in preparation for construction of a state-of-the-art new psychiatric hospital.

Cue the cameras: Before the wrecking ball strikes, however, the Mental Health Association of Portland, Oregon’s foremost independent advocate for persons with mental illness and addiction, wants to produce a high-quality documentary on the hospital. The group has lined up a terrific director, Portland’s own Brian Lindstrom, director of the acclaimed documentary “Finding Normal,” a heart-wrenching look at recovery from drug addiction by addicts in Portland.

Movies cost money, though, and here’s where everyone can help. Send your contributions directly to the Mental Health Association of Portland (a 501(c)3 nonprofit organization, at P.O. Box 3641, Portland, OR 97208. You can learn more about this exciting project here.

Switch: A Community in Transition is a new documentary that explores these responses from one community comprised of co-workers, congregants, friends and family.

On February 4, 2009 at 7:00 PM, Boxxo Productions, in association with Film Action Oregon, will present the first public screening of Switch: A Community in Transition at the Hollywood Theatre in Portland, Oregon.

Produced by local filmmaker and longtime activist Brooks Nelson, this documentary explores the impact of a gender transition not on the individual going through transition but on the surrounding community of family, friends, co-workers and others.

The primary focus of Switch: A Community in Transition is the experience of Nelson’s own gender transition and how through the process he became aware of how much the responsibility for change fell on the people around him.

Friends and family have to switch language, switch gender pronouns and examine their own attitudes and what it means to be male and female. The film also highlights different roles and responsibilities of each individual to reinforce their own and others’ gender, race, physical ability and the different identities that make us individuals. This film is by no means the sole definitive work on community responses to gender transition but it is entertaining, frank, and finely crafted.

Switch: A Community in Transition presents extensive information as well as heartfelt sharing about what it means to have a person in your life transition. We all know someone in this movie – the mom, the boss, the best friend and no matter our own relationship to gay or transgendered people most of us will leave the theater asking “What if…”.

Switch: A Community in Transition will screen 7 PM February 4, 2009 at the Hollywood Theatre, 4122 NE Sandy Blvd, Portland, OR 97212 (503.281.4215). Tickets: $8, available at the door, or in advance through the Hollywood Theatre website. For more information, contact Brooks Nelson boxxoproductions@msn.com or see also www.boxxo.org

READ – Artists as Optimists

Charlie got all the facts of the case of what happened to James Chasse wrong, but that’s entirely immaterial.  His point is to illustrate how artists are, as Robert Rauschenberg-quoted by Calvin Tompkins, the nation’s most under-utilized resource, and how artists and art-people from Ena Swansea to Agnes Gund have found activities other than art-making which keep the world wonderful.

Finch starts his writing with the example of Eva Lake, Portland artist extraordinaire, who is pulling double-duty coordinating house parties to raise funds to finish ALIEN BOY.  Eva is also the author of LoveLake, and host of KBOO’s morning arts show.

Finch is the co-author of Most Art Sucks: Five Years of Coagula (Smart Art Press).

READ – We’re Optimists, from Lovelake.org

READ – Artists as Optimists AND Activists, from Chez Namaste Nancy

If you have a elegant home and want to help ALIEN BOY get finished, give us a ring and host a house party.

Eva Lake

We’re seeking hosts for fundraising house parties for ALIEN BOY!

Eva Lake has joined our team to organize house parties.  A musician, artist, arts curator, bon vivant and friend of Jim Jim, Eva knows how to have fun and get things done.

Hosting a fundraising party is one of the best ways to get ALIEN BOY finished.  And it’s easy – we do a lot of the heavy lifting.

Invite your friends and colleagues to meet the filmmakers, see exclusive clips from the film, and hear about the progress of Oregon’s most controversial documentary in decades.

Want to help get ALIEN BOY finished?  Call Eva or drop her an email now at evalovelake@gmail.com or contact us at 503-367-6128.

Help raise some money to get ALIEN BOY finished.